Skip to main content

Working with Children

So far, I have directed three short documentaries for DADAA's the Lost Generation Project and apart from some minor technical hitches, everything is going really well. The sound and images are great and the personalities of our talent is coming over well. I'm lucky to be working with such fascinating characters - disabilities aside.

This week we start editing the films and, while that is happening, I'm hoping to get the odd pick-up. We've already happily picked up a couple of shots which didn't work out in the original shoot - but we may have to get more in editing. Luckily all our subjects are in the one location, so it's pretty easy to run off and get a shot of someone while shooting someone else.

Being filmed for the entire day - with a camera right up your nose - is irksome to say the least and already patiences have been tried and tested. I have asked the producer if we can shoot two films over two consecutive days - with each subject being shot in two half days.

The closest experience I've had to working with the mentally disabled and disadvantaged was my experience teaching at Filmbites where I was working with children. They lasted about half a day, too. Eight hours is a long time for anyone put under the microscope.

It is curious to know that there is a law which governs filming minors. Kids under the age of twelve are limited to 4 working hours due to wavering attention spans, moods and tolerances. I'd say the same goes with the Lost Generation people...

Comments

Peta said…
Hi Edwin,

NED12 student here... Interesting point about the 'minors' law. I have no idea, but I would guess it would have something to do with the types of stuff the kids are doing in the films...

I heard a funny story the other day about an amateur photographer who was taking photos of anything and everything. He had taken some photos of kids at night and was arrested by the police for it! They thought he was some kind of perve... Poor guy.

:) Peta

Popular posts from this blog

Not the only white guy in Mumbai

Hi readers . . . and hi Mum! ;) I've been watching some pretty heart-wrenching documentaries here at the Mumbai Film Festival . Watching docos seems to be a fast track to learning about the world. Many documentaries have an Indian element, but a couple stood out. I tend to make friends with the people who make films I like, so I'm pleased to say that Rajdeep Randhawa is now a close and personal friend of mine. Rajdeep made a 47 minute documentary called, "Ek Tha Lal Pari." Shot mostly cinema verite, it documents the problematic relationship between a eunuch and her lover. It's an on and off relationship, but the two are still very much in love and have lived together for 20 years! In India, eunuchs live in enclaves. They are ostricised by society, but also revered and considered to have many spiritual powers. So they earn money by performing special rituals at marriages, births, deaths etc. It is a special honour to be blessed by a eunuch. To cross one would resu...

The Three by Five Card Index System

Here's another approach to writing your screenplay. The screenwriter's friend. Introducing the infamous Three by Five Card Index System . Wow! How can I get one? In my case - I made it. What it amounts to is this: Three 90cm x 40cm sheets of chipboard hinged together so that the whole thing stands like a concertina on a table or floor. Every 5cm or so down, I have drawing-pinned small cardboard hinges (triangles if you will) made from old file dividers. These become placeholders for your cards. A couple of bunches of 3 inch by 5 inch index cards (available in packs of 100 at any newsagency) and there you have it. A sure fire way to make your screenplay bubble to the top of the pile . . . Not. But it's a tool and writers need their tools. Cool. How does it work? As you can see - each act has three mini-acts in it (fitting in with Australian script theorist Linda Heys' Second Act Story ). Or rather - going one step further and suggesting that all three acts have a begi...

Giant CRX 1 Flat-bar Road Bike - A Metaphor

I've been working my guts out doing websites all week (day and night) and now I have to mark 50+ online student usability exercises. Ugh! I got a glimpse of my girlfriend this week. She lives really far away and - as I ride a CRX 1 Flat bar road bike - it takes me a good 2 hours to get there. Especially after riding from Como to teaching Saturday acting classes in Hammersley. I got to her place late and then had to leave at 5am to get to Freo on time - where my parents were celebrating their 4oth wedding anniversary. Hi Ma & Da. Congratulations! Now for the meat of this post. Read carefully: It's a nice ride. For every difficult hill, there's a downward slope. I top around 50kmh (peak at 60kmh) but try to cruise along at around 30kmh to conserve energy. You never know when you might need to sprint. I'm mostly on bike tracks - I don't like to ride on sand. My bike has no shocks, so my energy isn't wasted. I get to feel the ground. Whatever power I have go...